Paul Murray
Gallery & Retreats
“I’m trying to capture the last flicker of light of the past, the character and depth of the people of yesterday. I don’t know what an artist’s job is exactly. I do know I’m trying to capture something that is almost lost – fading fast.”
~ Paul Murray
In pencil and in paint, Paul Murray records the everyday lives of a few who remain hidden from this world. The Southern Appalachian mountain folk and the rural Canadian farmer, whose recluse or pioneer lifestyle, are detailed in Murray’s timeless faces.
“Murray is interested in the simple lives of his subjects in this complex age. His desire is to preserve the heritage and traditions of our forebears. This is not merely a nostalgic journey, but a chance to remember time-honored values. Murray continues to capture on canvas the inner beauty and the essence of these people. Many of his subjects live their entire lives without what the modern world considers necessities, such as electricity and running water.” *(quote from Jay Demier – Louise, writer of his book “Mirrored Souls”)
His subjects have a richness within that we find distant, strange, yet wonderful. His talent to capture the depth of every soul is not only unique but well mastered. In each weathered wrinkle, a life story is told, far past a glistening eye; the detail is revealed it is not what is visible but what is felt by the viewer. Murray’s use of negative space is rare, and here he balances beautifully; mystery, mood, and technique.
In the oil paintings, Daniel, Joseph and Aunt Emily, it is made easy for us to experience the hard work, the joy and the inner peace of his subjects. In the paintings of his childhood friend Joseph age 100, in the pencil-Aunt Emily age 103, and in the children, we understand a peace of heart, a pride, a wisdom, and an innocence. To capture all of this it is a task is not easily achieved. Murray does this while practicing the oldest and most arduous methods of painting. He has discovered passes on the dyeing techniques of the Dutch & Flemish masters of the 16 century.
~ Paul Murray
In pencil and in paint, Paul Murray records the everyday lives of a few who remain hidden from this world. The Southern Appalachian mountain folk and the rural Canadian farmer, whose recluse or pioneer lifestyle, are detailed in Murray’s timeless faces.
“Murray is interested in the simple lives of his subjects in this complex age. His desire is to preserve the heritage and traditions of our forebears. This is not merely a nostalgic journey, but a chance to remember time-honored values. Murray continues to capture on canvas the inner beauty and the essence of these people. Many of his subjects live their entire lives without what the modern world considers necessities, such as electricity and running water.” *(quote from Jay Demier – Louise, writer of his book “Mirrored Souls”)
His subjects have a richness within that we find distant, strange, yet wonderful. His talent to capture the depth of every soul is not only unique but well mastered. In each weathered wrinkle, a life story is told, far past a glistening eye; the detail is revealed it is not what is visible but what is felt by the viewer. Murray’s use of negative space is rare, and here he balances beautifully; mystery, mood, and technique.
In the oil paintings, Daniel, Joseph and Aunt Emily, it is made easy for us to experience the hard work, the joy and the inner peace of his subjects. In the paintings of his childhood friend Joseph age 100, in the pencil-Aunt Emily age 103, and in the children, we understand a peace of heart, a pride, a wisdom, and an innocence. To capture all of this it is a task is not easily achieved. Murray does this while practicing the oldest and most arduous methods of painting. He has discovered passes on the dyeing techniques of the Dutch & Flemish masters of the 16 century.
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